MechE Film "Water Is Life" Wins New England Emmy Award
On June 24, Boston-area journalists, videographers, and producers filled the halls of the Marriott Boston Copley Place for the 40th annual New England Emmy Awards. John Freidah, the Multimedia Specialist for MIT’s Department of Mechanical Engineering (MechE), attended the black tie affair where he received one of the iconic golden Emmy statues.
Freidah was honored with a Boston/New England Emmy in the Health/Science Program/Special category for the film “Water is Life,” which chronicles PhD student Natasha Wright and Professor Amos Winter as they travel to India gathering research on how to design a low-cost desalination system for use in developing areas. The film was also recently honored with a 2017 National Edward R. Murrow Award — one of the most prestigious awards in journalism — as well as a 2017 Circle of Excellence Award from the The Council for Advancement and Support of Education (CASE).
"Water Is Life"
As the camera pans over an aerial shot of a lake in India, a flock of white birds majestically flies by. Capturing this moment in the opening shot of “Water is Life” required a lot of patience and a little help from a new friend. Unable to bring a drone into India, the film’s producer, editor, and cinematographer, John Freidah, had to come up with another plan. During a conversation on a flight from Delhi to Hyderabad, Freidah befriended a passenger in his row. He mentioned his search for a drone operator to get the perfect birds-eye-view shot of India’s landscape. As luck would have it, the day before departing India, Freidah received an email from his new friend saying he new someone with a drone that he could use to film sweeping aerial shots.
Planning for “Water is Life” began months before Freidah flew to India, however. Interested in highlighting the important work done in Professor Amos Winter’s Global Engineering and Research (GEAR) Lab, Freidah and his colleagues in the media team at MechE honed in on the research PhD student and Tata Fellow Natasha Wright was conducting on designing an affordable desalination system for use in rural India. With the generous support of Robert Stoner, deputy director of the MIT Energy Initiative and director of the Tata Center for Technology and Design, plans were arranged to film Winter and Wright in India.
“India is a beautiful and amazing country, which is rich in imagery. I felt lucky to film there,” Freidah says. “We were fortunate to have the aid of stakeholders — Jain Engineering and Tata Projects — who facilitated our visits to the local villages where they were struggling with clean drinking water.”
Visiting these villages and talking to end-users who would benefit from and potentially use a desalination system was a crucial component of Winter and Wright’s research. Capturing the daily challenges these villagers face on film brought another level of exposure to the work being done by GEAR and the Tata Center.
“Having John travel to India enabled us to tell the story of our research in much greater depth than we could on campus,” says Winter. By capturing the many angles of Winter and Wright’s story, “Water Is Life” aims to show people first-hand what a problem access to clean water is on a global scale, and how essential it is to support new research and technologies that hope to solve it.
“I really wanted to give the viewer a first-person experience — through the visuals,” Freidah explains. “I wanted it to be a visual journey, as if they were there — with sound and imagery — from honking horns on the street and rickshaws going by.”